PETER CRISS Will Not Grant KISS Permission To Use ‘Beth’ In A&E Documentary – “Biography”: KISStory”

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Paul Stanley spoke to Ultimate Classic Rock about the lack of involvement of Peter Criss and Ace Frehley in KISS’s new A&E documentary “Biography: KISStory”, which is set to premiere with a two-night event on June 27 and June 28 from 9 p.m. ET to 11 p.m. ET. Stanley says Frehley and Criss’s sound bites during the documentary come from archival interviews because both wanted to be paid and have “final editing rights” in order to be part of the project. In addition, Criss would not grant permission for the documentary makers to use the song “Beth” — which he co-wrote — in the film.

“It’s sad, but that kind of fits into the whole dynamic,” Stanley said. “We did the best we could. We tried numerous times in all different ways to have them be part of it, but this idea of final editing and money and this and that. … It was like, ‘No, your involvement doesn’t warrant that.’ And who ultimately loses out in a situation like this? They do.

In addition to playing drums in KISS, Peter also provided lead vocals for a number the band’s most popular and memorable songs, including “Beth”, “Black Diamond” and “Hard Luck Woman”.

Directed by D.J. Viola, “Biography: KISStory” chronicles the band’s five decades in the business as founders Stanley and Gene Simmons reflect on their historic career. Current members Tommy Thayer and Eric Singer as well as guests Dave Grohl (NIRVANA, FOO FIGHTERS), Tom Morello (RAGE AGAINST THE MACHINE), manager Doc McGhee, music producer Bob Ezrin (ALICE COOPER, PINK FLOYD) and more tell the wild story of the most successful and influential band in the world.

“Biography: KISStory” is a Leslie Greif production, produced for A&E Network by Critical Content and Big Dreams Entertainment with Leslie Greif and Jenny Daly serving as executive producers and D.J. Viola serving as director. Elaine Frontain Bryant and Brad Abramson serve as executive producers for A&E Network. A+E Networks holds worldwide distribution rights for “Biography: KISStory”.

In a 2014 issue of Rolling Stone magazine, Stanley and Criss sparred over “Beth”, which holds the distinction of being KISS’ highest-charting single in the U.S., having reached position No. 7 on Billboard’s Hot 100 chart back in 1976. Criss claims to have co-written the song with the late Stan Penridge while Criss and Penridge were in the band CHELSEA. In the song’s original version, the title name was “Beck” after Becky, CHELSEA bandmate Mike Brand’s wife, who often called during practices. Criss later received a People’s Choice Award for the track, which was heavily tweaked and arranged by producer Bob Ezrin for the “Destroyer” album sessions.

Despite the fact that Criss is listed as a writer, along with Penridge and Ezrin, in the song’s official credits, Stanley claims the drummer had little to do with its creation. “Peter can’t write a song, because Peter doesn’t play an instrument,” Stanley told Rolling Stone. “Penridge came up with [sings], ‘Beth, I hear you calling…’ Peter had nothing to do with it. Because if you write one hit song, you should be able to write two. That’s the reality. Devastating? It’s the truth. It was a lifeline that Peter hung on to validate himself, but it wasn’t based on reality.”

“Paul is so full of f%#@king s*%t,” countered Criss, “’cause as a lead singer of the band he never got to write the hit. That’s his problem. They hated the fact that I wrote a hit record and won a People’s Choice.”

In a 2000 interview, Penridge was asked how “Beck” was written and how much of it Peter was really responsible for, if any. “‘Beck’ was written, almost word for word, from Mike Brand’s responses to his wife’s constant calls that interrupted our rehearsals,” Penridge explained. “It got to the point where I wrote down his remarks over a period of 3 or 4 days in what I called my ‘wizard book.’ It was merely a small notebook I carried to jot down silly sayings, sketch in, anything….to save ideas. If you look at the lyrics and view them as a hen-pecked hubby’s remarks to his nagging wife, you’ll see what I mean. Just pause after every sentence and pretend there’s a bitch at the other end of the line. You’ll catch it — I’m sure.”

Visit Peter Criss at his website:  www.PeterCriss.net

Original story by Blabbermouth: HERE